Easy (1978)

Directed by Anthony Spinelli
Starring Jesie St. James, Richard Pacheco, Desirée Cousteau
80 Minutes/Color


Anyone familiar with classic adult cinema will tell you that Anthony Spinelli was one hell of a director. With little exception his films are well-shot, well-written, well-acted and often emotionally involving. In his hands you would think the story of a romantically-challenged nymphomaniac who uses sex to dull her aching for love would be essential viewing. Even with brilliant camera work and excellent performances, EASY is one of Spinelli’s lesser efforts.

Schoolteacher and recent divorcée Kate Harrison (the terrific Jesie St. James) ditches her teaching job and hits the road to nymphomania, meeting her share of creeps and pining for real love along the way.


There are many positives to be enjoyed in EASY. The cast is first rate. Jesie St. James (as Kate, in her first starring role) is energetic and extremely watchable. She is a natural actress and delivers both dialogue and emotion with the same expertise as she moans and screams her way through the sex scenes. Richard Pacheco balances both comedy and menace in his role as a teenage hoon. Pacheco is a truly gifted actor who always impresses. Desirée Cousteau brings the comic relief and director Spinelli has a memorable cameo as a lech who comes on to Kate in a seedy bar. The cinematography by Jack Remee looks fantastic (even through the haze of VCX’s foggy DVD) and most of the sex scenes are blisteringly hot. So where does EASY go wrong?

EASY is a film with a message, but unfortunately that message is rather muddled. Kate readily admits to being a nymphomaniac with the throwaway explanation that she is looking for sexual freedom after a humiliating divorce. That’s all well and good, but the message is rather undercut by the abundance of non-consensual sex the character finds herself involved in (and enjoying) throughout the movie. Three of the sex scenes are unequivocally rape (one occasion at knife-point, no less.)


The third rape scene (her attacker this go ’round is the legendary Georgina Spelvin) is somewhat less problematic because it actually leads to the realization that Kate’s man is a two-timer and upon extricating herself from the poisonous pair she decides to turn her life around. Unfortunately the earlier rape scenes just have Kate getting up, dusting herself off and diving into bed with the next guy to give her the once over. It could be argued, I suppose, that her promiscuity is an effort to regain a feeling of control after having that control taken away from her, but that doesn’t jive with her obvious enjoyment. Another way to look at it would be that being victimized is the only way she is able to allow herself to enjoy sex. But, this also doesn’t jive with her behavior throughout the rest of the film.


There have been a number of films where non-consensual sex has been an important thematic strand (SOMETIME SWEET SUSAN springs to mind) and is used to show the emotional damage such a personal assault can cause. Not so in EASY. In all three of the scenes in question, Kate initially resists but soon begins to enjoy it. That notion is more than just distasteful, it’s downright dangerous. Even more worrying is that a similar strand runs through the otherwise enjoyable VISTA VALLEY P.T.A. in which St. James was again directed by Spinelli. I kept waiting for the film to offer some sort of explanation…but I waited in vain. Had these scenes not ended with Kate enjoying the experience I think it would have worked much better. In fact, I think it would make a much better case for Kate’s sexually-wanton behavior and emotional withdrawal.

The other sex scenes in the film are, thankfully, highly erotic and enjoyably offbeat. We get both female-to-male rimming and female-to-male fingering, not something you generally see in an adult film geared towards straight men. In the latter fingering scene, Kate seduces a blind piano tuner (Ken Scudder, minus trademark mustache) in a moment that is lighthearted, sexy and fun. A later scene in which Desirée Cousteau and Laurien Dominique seduce their respective boy toys is also highly erotic, if superfluous, and offers a nice respite from the rougher aspects of the film.


Worth the price of admission is a hilarious catfight between Georgina Spelvin (looking particularly lovely) and Jesie St. James that seems plucked right out of Knots Landing!

Mild Spoliers The film closes with Kate feeling she has finally found love and will leave her wanton ways in the past…only to be spurned again. End Mild Spoilers

EASY is obviously trying to convey a message, though I’m at a loss to tell you what that message actually is. I will say, however, that the ending did give me an emotional pang. I felt for Kate and was sad to see her story end on such a note. I think this comes down to Jesie St. James’ brilliant performance. In fact, the whole cast is superb. I think there could have been a really great film here with a bit of a sharper focus.

I would still recommend EASY simply to enjoy the consensual sex scenes which are rich with heat…but this may be the rare classic adult film where one should fast-forward through the plot and just enjoy the naughty bits.

-Johnny Stanwyck

2 thoughts on “Easy (1978)”

  1. I gotta say that if you look closely at Georgina’s face and then take a long (an also enjoyable glance, at Veronica Hart’s cute face), well, you’ll probably agree that they both have an innocent cuteness there and that is also true of Desiree Cousteau, though Georgina and Veronica have a closer resemblance. Also, they both have a very nice, somewhat dainty not too tall figure. All three really are natural and are talented actresses.


  2. I think Jesie St James an underrated actor and have often thought that she is playing essentially the same character in Vista Valley and is terrific in both. I love Easy which is only let down by its downbeat ending, and am not sure what Spinelli was trying to convey. Was the scene as the ugly charmless guy whom is turned down, to some extent based on personal experience? At least at the end of Vista Valley, Kate drives off with Pacheco, indicating that she’s put it all behind her and is ready to move on. I agree most of the scenes are offbeat and highly erotic as is John Leslie’s in Vista Valley when he seduces Juliet Anderson and then her daughter in succession.


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